The productions of Dutch National Opera can be quite demanding for the Chorus, not only musically but physically too. How does that influence their performance? “I think it adds a lot to the way they sing. One thing that’s wonderful about this Chorus is that they really love to act. When we start rehearsing the music and they’re just sitting in their seats singing, there’s always something missing. And as much as I encourage them, it’s never going to be the same as when they’re on stage, in costume. When they’re in action while also singing amazing music, the full power of this Chorus is unleashed.” Which productions in the new season are you particularly looking forward to? “What comes to mind immediately is Tchaikovsky’s The Maid of Orleans. That is going to be another big chorus opera. After Boris Godunov (in June 2025), I hope we can deepen our understanding of the Text: Maxim Paulissen | Photo: Jan Willem Kaldenbach “ This chorus really feels the urge to be on stage” Nieuw Amsterdams Children’s Chorus Whenever a score calls for a children’s chorus, we work together with our regular partner, the Nieuw Amsterdams Children’s Chorus, part of Nieuw Vocaal Amsterdam. Children as young as four years old learn to sing here in a playful way, while the most advanced singers (up to 21 years old) take lessons at Dutch National Opera. This season, the children’s chorus shines in the opera Tosca and the ballet The Nutcracker and the Mouse King. Russian repertoire. Personally, I’m really looking forward to Semele. I love Handel and I’m very keen to work with Emmanuelle Haïm and her orchestra. Finally, a large-scale Verdi opera like Simon Boccanegra, with Maestro Fabio Luisi conducting, is a fantastic way to end the season.” Photo: Monika Rittershaus Edward Ananian-Cooper Artistic director Chorus of Dutch National Opera 65
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