Voorbeeld: Catalogus

Introduced by Herman Miller in 1950, Eames storage units trace their origin to an exhibition at the Detroit Institute of Arts a year earlier. Leave it to designers Charles and Ray Eames to see what others couldn’t: Why can’t storage pieces be striking enough to belong in an art museum? Today, Eames storage units are still turning heads as part of the Herman Miller Collection—and still looking as distinctive as they did decades ago. They join classics, like those from George Nelson, as well as contemporary pieces. It’s storage that flat out looks like fun, as elegant as it is useful. That’s a different way to think about the box—and that’s been Herman Miller’s way for years. A heritage of going beyond the box